Outspoken hip-hop artist Holy Ten has once again sparked controversy with his candid remarks about Zimdancehall musician Enzo Ishall, stating that he would not consider signing him to his Samanyanga Sounds label.
Holy Ten's comments come in the wake of speculation surrounding Enzo Ishall’s recent announcement of a substantial record deal, fueling the flames of their ongoing feud.
During a recent appearance on the Denny J Show, Holy Ten did not mince words when expressing his views on the possibility of signing Enzo Ishall, branding his music as “trash.” The outspoken rapper made it clear that despite the buzz surrounding Enzo Ishall’s lucrative contract, he categorically would not entertain the idea of collaborating with or signing the Zimdancehall artist.
Holy Ten further elaborated on his remarks, emphasizing that he has consistently been forthright with Enzo Ishall about his sentiments regarding his music. He described Enzo Ishall as a friend while asserting that he perceives the quality of Enzo Ishall’s music as mediocre, drawing comparisons to a proverbial snake under the grass, insinuating a sense of duplicity and repetition in his artistic expression.
The Holy Ten’s candid critique sheds light on the complexities of artist collaborations and record label signings, punctuated by personal and professional considerations. His straightforward stance on the matter underscores the significance of artistic integrity and individual artistic standards within the music industry.
Moreover, Holy Ten clarified that his decision not to consider signing Enzo Ishall isn't only driven by creative differences but also financial constraints. He highlighted the impracticality of affording the reported US$80,000 upfront payment specified in Enzo Ishall's recent deal, providing insight into the multifaceted dynamics influencing record label decisions and artist signings.
As Holy Ten’s comments reverberate amid the backdrop of Enzo Ishall's newfound record deal, the clash of artistic perspectives and values within the Zimbabwean music landscape is brought to the forefront. The exchange of opinions between the two artists reflects the intricate nature of artistic expression and collaboration, underscoring the diverse viewpoints and standards that shape the music industry.
While the friction between Holy Ten and Enzo Ishall persists, the broader context of their interactions underscores the nuanced interplay between artistic subjectivity, personal relationships, and commercial considerations, shedding light on the various dynamics that underpin the music industry.
During a recent appearance on the Denny J Show, Holy Ten did not mince words when expressing his views on the possibility of signing Enzo Ishall, branding his music as “trash.” The outspoken rapper made it clear that despite the buzz surrounding Enzo Ishall’s lucrative contract, he categorically would not entertain the idea of collaborating with or signing the Zimdancehall artist.
Holy Ten further elaborated on his remarks, emphasizing that he has consistently been forthright with Enzo Ishall about his sentiments regarding his music. He described Enzo Ishall as a friend while asserting that he perceives the quality of Enzo Ishall’s music as mediocre, drawing comparisons to a proverbial snake under the grass, insinuating a sense of duplicity and repetition in his artistic expression.
 |
| Holy Ten Criticizes Enzo Ishall Amid Speculation On Lucrative Record Deal! |
Moreover, Holy Ten clarified that his decision not to consider signing Enzo Ishall isn't only driven by creative differences but also financial constraints. He highlighted the impracticality of affording the reported US$80,000 upfront payment specified in Enzo Ishall's recent deal, providing insight into the multifaceted dynamics influencing record label decisions and artist signings.
As Holy Ten’s comments reverberate amid the backdrop of Enzo Ishall's newfound record deal, the clash of artistic perspectives and values within the Zimbabwean music landscape is brought to the forefront. The exchange of opinions between the two artists reflects the intricate nature of artistic expression and collaboration, underscoring the diverse viewpoints and standards that shape the music industry.
While the friction between Holy Ten and Enzo Ishall persists, the broader context of their interactions underscores the nuanced interplay between artistic subjectivity, personal relationships, and commercial considerations, shedding light on the various dynamics that underpin the music industry.
.jpg "Sona Solar Zimbabwe")
.jpg "Sona Solar Zimbabwe")
