The Publicity Stunts Rapper: Holy Ten's recent online behavior has raised eyebrows, with the artist engaging in a series of attacks on fellow musicians. Earlier this month, he utilized Denny J's podcast to launch verbal assaults on Saintflow, labeling him a "druggie," and dismissal of Voltz JT's catalogue as solely diss tracks, along with declaring his intent to end Winky D's career.

Observers noted a pattern in Holy Ten's actions, suggesting that these attacks on other artists often occur as part of a publicity strategy preceding album releases. 

Similar tactics were employed before the launch of the Book Of Malachi album in the previous year, during which he targeted Winky D by referring to him as a "snake." This behavior has resurfaced as he prepares for the release of the "Risky Life 2" album.

Holy Ten's Unprovoked Attack on Jah Prayzah: 

The controversy escalated as Holy Ten directed unprovoked jabs at Jah Prayzah following the latter's receipt of a US$180,000 Mercedes-Benz S500 sedan from Wicknell Chivayo as appreciation for his music, which is perceived as supportive of ZANU PF.

Taking to Instagram, Holy Ten posted: 

"Congrats, guys! @jahprayzah and @keenmushy. Music yenyu inondisvota but you guys are working." He continued by disparaging his own fans: "I’m not even gonna lie to you. Mese munondisvota. I just do these songs because that’s the reality of my life. But I’d rather not be famous, honestly munondisvota. mese."

Outrage on Social Media as Holy Ten Targets Jah Prayzah

The aftermath of Holy Ten's comments provoked an immediate and widespread response, with individuals expressing outrage and disapproval of his actions across various social media platforms.

The backlash evoked by Holy Ten's verbal onslaught underscores the impact of words and actions within the music industry and the broader public sphere. The online furor following this incident serves as a poignant reminder of the power of artists' voices and the responsibility that accompanies their platforms. 

As discussions and opinions continue to proliferate, the incident with Holy Ten and Jah Prayzah highlights the enduring influence and reach of musicians within Zimbabwean society, prompting important conversations about mutual respect and ethical conduct in the industry.