A sangoma, Sekuru Achapola, has intervened in the plight of Zimdancehall artist Freeman HKD, providing insight into the tribulations faced by the musician and issuing a cautionary warning linked to ancestral displeasure.

Sekuru Achapola, also known as Tsitse Njuma Musaiware, has attributed Freeman's challenges to his ancestors, who are purportedly dissatisfied with his purported neglect of ancestral customs. Despite defending Freeman against allegations of criminal involvement, Sekuru Achapola emphasized the need for the artist to revere his lineage and appease his ancestors.

Notably, Sekuru Achapola revealed a distinctive connection between Freeman and ancestral spirits, asserting that the musician becomes possessed by these spirits during performances. Such a profound spiritual linkage, according to Sekuru Achapola, underlines the significance of ancestral reverence and adherence to traditional rituals.

Sangoma Advises Freeman HKD to Honor Ancestors Amid Troubles

In light of these revelations, Sekuru Achapola cautioned Freeman to brew traditional beer and engage in prescribed rituals, describing these actions as imperative to ward off potential repercussions, including legal entanglements. Failure to heed this advice, as per Sekuru Achapola, poses the risk of unwarranted legal troubles for Freeman.

The sangoma's intervention offers a complex juxtaposition of spiritual guidance and pragmatic counsel, emphasizing the interconnectedness of cultural beliefs and contemporary challenges. As Freeman navigates the complexities of his personal and artistic journey, the insight provided by Sekuru Achapola underscores the multifaceted nature of addressing adversity, encompassing elements of tradition, spirituality, and individual responsibility.

The unfolding narrative serves as a poignant reminder of the diverse influences that shape the experiences of public figures, drawing attention to the intersection of personal belief systems, societal expectations, and the intricacies of artistic expression.